Abstract
The purpose of this article is to provide a comprehensive analysis of the artistic and philosophical essence of the “Munojat” motif in Abdulla Oripov’s works. The study employs artistic-analytical, interpretative, and comparative methods, examining such works as Listening to Munojat, Wisdoms, and The Sorrow of Years from semantic and philosophical perspectives. The analysis demonstrates that the “Munojat” motif functions as a central artistic device in the poet’s poetics, expressing the multilayered structure of the human psyche. It reflects inner experiences, suffering, and the process of self-awareness. The findings confirm that this motif possesses not only a religious but also a philosophical and psychological dimension. In conclusion, the “Munojat” motif is interpreted as a universal model of the human psyche, and the necessity of studying Oripov’s poetics through ontological and axiological approaches is substantiated.
References
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